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She will serve as poet laureate of Brookline, Mass, from 2021 to 2024. Her poems have recently appeared or are forthcoming in the Paris Review, Ruminate, and Broadsided, and her previous books are Works on Paper (2016), Given Away (2012), and Rigging the Wind (2003).
JENNIFER BARBER’s new collection, The Sliding Boat Our Bodies Made, is forthcoming from The Word Works in 2022.
#Rumpus magazine guide to awp 2019 series
She has been nominated for a Pushcart Prize (2019, 2020) and is a co-founder of the virtual creative space The Notebooks Collective, as well as a founding co-editor of the anthology series Maximum Tilt. She holds MFAs in Creative Nonfiction and Poetry, both from The Solstice Low-Residency MFA in Creative Writing Program, where she was a Michael Steinberg Fellow. LISA ALLEN’s work has appeared in Bacopa Literary Review (2018, 2019), Midway Journal (2019), Lily Poetry Review (2019), 3Elements Review (2019), and December Magazine (2020), and the anthologies Listen to Your Mother: What She Said Then, What We’re Saying Now (2015), Feckless Cunt (2018), and Dine (2020). Jonathan lives in Concord, MA with his family. He has studied with Lucie Brock-Broido, David Ferry and Barbara Helfgott Hyett. His poems have been published, or will soon appear, in Ocean State Review, Soundings East, Pangyrus, Sweet Tree Review, Rogue Agent, Main Street Rag, and elsewhere.
#Rumpus magazine guide to awp 2019 software
AIBEL is a poet who spends his days wrestling software to the ground as an engineer specializing in quality and testing. Don’t strive to make them uncomfortable, of course, but if you’re face to face with your literary idol, realize that they understand that you probably feel very, very awkward.JONATHAN B. If you realize that now and embrace it, the entire ordeal will go a lot smoother. These conversations, for the most part, are going to be awkward. Don’t be forward about things ( IwantyoutopublishmeprettypleasewhatdoIhavetodotomakethathappen?!) but also don’t be afraid, once you’ve established rapport, to talk with them about work. It sounds terrible to say that way, but this is a great chance to talk with writers, editors of journals, and publishers, about their work, your work, et cetera. I realize talking to strangers can produce crippling anxiety, I get that, but the book fair is great in that sense because, if you see someone behind a table, you can just go up to them and (simply) they can’t run away. in a city you don’t really know, without a phone (having an accountabilibuddy helps, as well and not just because the word is fun). Bring your charger with you while you wander so that you don’t find yourself out at 8 p.m.
If you’re wandering around all day, you’re also likely to be using your phone. Make sure to have a few on you at all times-you never know who you’ll run into. Networking is a big part of AWP and, if you have business cards, you’ll be able to network that much easier. Bring business cards.īefore you go, get business cards made up ( Vistaprint is great and pretty cheap, but there are many sites out there and, often, you can find a good sale). This not only helps support the indie lit community, but you get some awesome new books out of the deal. Many times, you’ll be able to get the author to sign the book as well (AWP has a handy guide for when author signings are). Find the authors or the presses that you really love and buy from them. In connection with the point above, go in knowing you’re going to buy X amount of books (3-5 is a nice number).
#Rumpus magazine guide to awp 2019 how to
Your guard will probably be down during the book fair and before you know it, you’re going to be trying to figure out how to lug 65 books home between a personal item and your carry-on luggage. Make sure that you’ll have space for these books. You’re going to see 50+ books that you will want in addition to the 15 that you’ll be handed as you meander the aisles of the book fair. This list, as compared to my previous piece on AWP, has some practical advice on how to tackle AWP head-on and come out of it, hopefully, wanting to come back (and not wanting to curl up in a ball in the corner of a dark room for a month). The conference is also chaotic, overwhelming, and can send even the most hearty writer into a tailspin of “My god why am I even here” and “I’m never going to be as good as X.” The Association of Writers and Writing Programs annual conference-this year held in Minneapolis-is, in short, a wonderful experience for writers, publishers, and anyone related to the industry of putting words in some sort of order for the benefit of his or herself and others.
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